January is Brafa month! With the regularity of a fine watch-making mechanism, the doyenne of generalist fairs returns mid-winter with the aim of combining the best of the art on offer in Brussels. The 133 Belgian and international galleries gathered on the site of Tour & Taxis from 26 January to 2 February compete with a thousand temptations to warm the hearts of all art lovers and to arouse the keen interest of the most discerning collectors. The beautiful, the rare and the exceptional blend harmoniously, eliciting cravings, passion or impulse purchases, while paying tribute to creativity from the earliest times to the present day.
Whether you are a fan of the bas-reliefs of Ancient Egypt, the Roman marbles, mediaeval Virgins, 18th- century dressers, paintings by Flemish Masters, animal or modernist bronzes, Art Deco or Art Nouveau silverware, Wolfers jewellery, paintings by Belgian artists from the Laethem School, precious porcelain and archaic bronzes from China, Meissen or Tournai china, African and Oceanic masks, unusual objects from a cabinet of curiosities, stylish furniture, drawings and engravings and works by the greatest contemporary designers … one thing is clear: you have to go to Brafa to see all these treasures, and many more!
And rather than discovering all these marvels in isolation, or grouped together, Brafa offers to mix them up harmoniously, creating unexpected connections and dialogue between the thousands of works it brings together. From this proximity will emerge a new reading, a new look based on designs, the styles, origins, paths, materials, colours, artists and meanings of which seem to have nothing in common. Current taste is instead moving towards diversity, eclecticism, the abolition of borders and groups made up of scattered items and here, the choice of gender balance advocated by Brafa over many years is entirely contemporary.