Tag Archives: Brussels Art Fair

BRAFA: glorious Brussels art fair

Brussels 17.06.2022 Anna van Densky The 67th edition of the international BRAFA Art Fair takes place from Sunday 19 and Sunday 26 June 2022 at Brussels Expo. A unique occasion for art lovers to admire several millennia of artistic creation presented by 115 established and new art galleries.

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From 10,000 to 15,000 works ranging in different categories: from archaeology to contemporary art and design will be presented in Brussels. From a unique Murano blown glass luminary, to the painting ‘Les amoureux aux deux bouquets et le peintre’ by Marc Chagall, both collectors and art lovers will have the opportunity to enjoy exceptional drawings, paintings, furniture, sculpture, jewellery, tribal art, design…

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Whilst this change of scenery from Tour and Taxi to Brussels Expo has undoubtedly breathed new life into BRAFA, the Fair has also retained its essential values: quality, authenticity and eclecticism. Collectors will be able to explore the aisles where long-standing galleries and 18 new exhibitors will be displayed in a circuit that promotes discovery and a mix of styles.

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This year, amongst other novelties, and faithful to its constant evolution, BRAFA will be welcoming
the Galerie Kevorkian, specialised in the arts of the ancient East and Islamic Civilization, alongside
twenty other specialties. Traditionally than 80 independent experts were invited prior to the opening to rigorously scan thousands of works.

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Collectors will find fascinating objects from all over the world. As a Belgian fair, BRAFA boasts many precious pearls of Belgian art, including Samuel Van Hoegaerden, who will exhibit logograms by Christian Dotremont.
Francis Maere will present a stand devoted to the sculptures and drawings of Eugene Dodeigne. The
Collectors Gallery will exhibit a beautiful bracelet by Pol Bury, and two exceptional
Paul Delvaux masterpieces which can be admired at Stern Pissaro and De Jonckheere.

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BRAFA 2022 will also be a great opportunity to get to know the works of artists from outside Europe,
including the Cameroonian artist Barthélémy Toguo at Nosbaum Reding, the American artist Summer
Wheat at Zidoun-Bossuyt Gallery and the American-Kenyan artist Wangechi Mutu at Galerie
Boulakia.

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As the centrepiece of its stand, Montagut Gallery (stand 80) will be presenting an exceptional Soninke
statue, from the Dogon culture, Mali, thirteenth century.

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A selection of “fetishes” from the Democratic Republic of Congo will also be on display, at Didier Claes.
The exhibition “Nkisi” focuses on the beauty of these “force-objects” which, through the addition of various elements, were magically charged and enabled access to their ritual function of divination and
communication with the spirits. Dalton Somaré (stand 111) will present a very graphic portrait mask,
Baule, Côte d’Ivoire, late nineteenth century, with traces of polychrome.

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Christo attends BRAFA 2018

BRAFA 2018 has the great honour of welcoming one of the most renowned and influential contemporary artists in the person of Christo (82). An emblematic figure of New Realism along with his late wife Jeanne-Claude (1935-2009), the inseparable duo has come to be known in particular for their wrapping
of historic monuments and large-scale landscape installations. It is one of his historic work from the 1960s that will be presented at BRAFA.

The work specially chosen by Christo for BRAFA is titled Three Store Fronts (1965-66). This sculpture was first displayed at the municipal Van Abbemuseum in Eindhoven, the Netherlands. Later it was included in the exhibition Christo and Jeanne-Claude: Early Works, 1958-69 at the Martin-Gropius-Bau in Berlin in 2001. More than 14m long and 2.5m tall, it will also be the largest work ever on show at BRAFA!
In 1963, still in Paris, Christo had begun making the Show Cases. He acquired small glass display cases or medicine cabinets at the flea market and turned their function around by hanging fabric or pasting paper on the inside of the panes. In some cases he illuminated the inside of the showcases with a light bulb or suggested luxurious decadence by lining the inside with satin or silk.
If the Show Cases were more like little meditations comparable to the early Wrapped Cans or Packages, the proportions of the life-sized Show Windows and Store Fronts that were done after Christo and Jeanne-Claude had emigrated to New York in 1964 recalled the gigantic dimensions of New York architecture.